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Stamm

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November 2015

  • Secret art places: Part II
  • Franti, out!
  • Secret art places: Part I
  • Play your cards right (or how we never talk about money)
  • The holiday d’art
  • Things I learned from ‘The Diplomat, the Artist and the Suit’, a documentary about architecture firm Denton Corker Marshall
  • Township Museum and Creepy Long Fingers
  • Performing relative states
  • How to quieten the mind
  • Against nature—Charles Lim and ‘Sea State’

September 2015

  • Pirate – bug – museum
  • Orange around
  • Scroll, scroll, double tap
  • Three thousand years of people being bastards to horses
  • Boo!
  • Prince screws
  • Matt Hinkley bumps and sprained ankles
  • Alit on the flax
  • Free action
  • A tantrum in triplet
  • Parks and roubles

August 2015

  • What is read and what is real?
  • Important objects: A conversation with Lynda Draper
  • Art versus craft, the final word
  • Loompanics, Bik Van der Pol and how to fake an arts residency
  • Trinket
  • Sarah Aiken ‘Set’: Prestidigitation or so I like to imagine
  • The suffocating genre-blue: On being wrong
  • Taking notes
  • The impossibility of describing Trisha Brown’s ‘Scallops’ (1973) without moving the body
  • Beached
  • A tale of two cities

July 2015

  • Doing it right: Recorded responses to ‘Art as a Verb’
  • If I was curator: An imagined conversation
  • Asbestos
  • A short line between three points
  • Athens ‘House of Truth’ and ‘Hang ‘Em High #1’
  • Bright light wakes you early in the tropics, which may reduce anxiety
  • Modern zombies
  • A conversation with Kalinda Vary
  • We swim in unknown unknowns
  • Moving images
  • Ryan Gander looks like Karl Pilkington and they are both misanthropic northerners

December 2013

  • Out one spectre: Justin Trendall at Kalimanrawlins
  • Jonathan Nichols plays David Morse and Viggo Mortensen
  • Like a prayer: Kate Murphy ‘Probable portraits’
  • Huh
  • Trev goes to Frieze London and Chelsea in New York. Enjoys it, but still …
  • 

Right thurr
  • Chua Mia Tee’s Singapore

September 2013

  • Sand brah
  • Back and forth
  • Typesetting
  • Xmas: Jordan Marani
  • King for a day: ‘Heavenly stems’ at Neon Parc
  • Under-performance
  • Public art = social space: A review of Sean Peoples’s ‘Channel G’

August 2013

  • de for
  • Don Celender and The Kitchen
  • Alien in the mix: Bryan Spier at Sarah Scout Presents, Justin Andrews at Block Projects
  • Arthur Boyd: An active witness
  • To be outside, to be inside, to be free, to be bound, to be
  • John Aslanidis—New York noise

July 2013

  • Writing mail, writing class: ‘The big east’
  • Constant loss: ‘Third/Fourth: Melbourne artist-facilitated biennale’, and the 1980s at the NGV
  • Cool car park in Freo: Australian Centre for Concrete Art
  • Funny games
  • Ryoji Ikeda
  • If you can’t say something nice

June 2013

  • Default: ‘Everyday rebellions’ and Frances Stark
  • Naval gazing: The busy beaver Turing machine and Justene Williams
  • It’s not even a painting: ‘Like Mike’
  • How the rich recycle their pleasures
  • Grievous bodily collage
  • ‘Kid candle’ and ‘Rocks’: Two works by Robin Rhode
  • Hi mail, love Lisa

May 2013

  • Obiter dickta
  • Gotta dance
  • How to explain YouTube to a dead hare
  • Totally none of my business
  • Talk it out
  • TV Moore’s ‘The dead zone’ at AGNSW
  • Paddle-pop populous and farcical femme-fatales
  • The cultivator: Hou Hanru

April 2013

  • Winners and grinners
  • Washing machine
  • Voice-over
  • The whole lot: ‘Theatre of the world’ at MONA
  • Something something video-film-paint something (1)
  • New ACCA
  • You need a bad operation

March 2013

  • Group portrait
  • Falling into a hangover. Don’t show images fast
  • Beam me up Scotty (1): eulogy for a leader
  • In the hood
  • Backyard shed jams
  • Comfort grunge
  • Period piece
  • Survival stories

December 2012

  • Traumatic acts and therapeutic structures: A few ideas in, around and associated with Stamm
  • The mind is a muscle: Yvonne Rainer’s ‘Trio A’
  • Eyes wide shut
  • Sadie Chandler: Café society
  • Eat, clay, love
  • Being there—experiencing the art of Louise Bourgeois

November 2012

  • invisiblevisible (with Emily Cormack)
  • Kate Smith’s empire
  • Lars and the real world
  • Mann in Japan
  • Elizabeth Newman: The origin of life
  • Colleen Ahern—’Cortez the killer’

October 2012

  • Fine family living
  • d13
  • John Spiteri
  • How to be
  • Semi-urban tragedy: The sad caravans of Stefan Gevers
  • Yolngu art in the age of mechanical reproduction
  • Rob McHaffie going native

September 2012

  • Good behaviour
  • Organic happenings
  • Konnichiwa Osaka
  • Paradise
  • Peter Schjeldahl: The critic as squid
  • Some local birds
  • The green text

August 2012

  • Mikala Dwyer—agent orange
  • Love and the machine
  • Do ya thang Wang!
  • (Mis)communication rules
  • ‘The ark of catastrophe’: Guido van der Werve and Lyndal Jones in the 18th Biennale of Sydney
  • Same, same but different or three I liked best

July 2012

  • Bradd Westmoreland—wet
  • New tricks
  • House and home
  • OMG
  • An interview with Azam Aris
  • The what and the why: Berlinde De Bruyckere
  • Digesting Michael
  • The green text

June 2012

  • Like seeks like
  • Shades of grey (gray)
  • ‘I’m not even supposed to be here today’, Clerks (1994)
  • Through the frame—another extemporaneous musing
  • A quiet one
  • Raafat Ishak’s ‘decadence’

May 2012

  • Atlas: Andrew Hurle
  • Moya McKenna: Ideas once thought and then forgotten
  • Photo finish, or harmony in grey
  • Damiano Bertoli’s ‘Continuous moment: Anxiety Villa’
  • Touching the surface: Angelica Mesiti
  • Extemporaneously
  • Siri Hayes: The world is our lounge room

April 2012

  • Alesh Macak: 2 screens, 1 sandpit, music and bench, plus audience
  • Make vibes not things: Caroline Anderson A.K.A. Crystal Diamond
  • Elvis Richardson’s real estate
  • Coloured dirt
  • The clock and the rock: Aesthetic of the emblematic
  • Background/middle-ground/foreground: Speaking about art

March 2012

  • Vogue-ing for the dictaphone: Alex Martinis Roe
  • The terror of n: Belle Bassin
  • Doom and gloom: Ronnie van Hout
  • Small giants
  • Jenny Watson: here, there and everywhere
  • A morning with Julian Martin

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About

This is the archive for Stamm, an online publishing project initiated by artist Jonathan Nichols in 2012.  [Read More] about About

Years

  • Stamm 2015
  • Stamm 2013
  • Stamm 2012

Writers 2015

  • Eliza Dyball
  • Amita Kirpalani
  • Michelle Mantsio
  • Kyla McFarlane
  • Anca Verona Mihulet
  • Jonathan Nichols
  • Tom Polo
  • Caterina Riva
  • Quentin Sprague
  • Sacha Waldron
  • Suzette Wearne

Writers 2013

  • Trevelyan Clay
  • Amita Kirpalani
  • Michelle Mantsio
  • Jonathan Nichols
  • Lisa Radford
  • Quentin Sprague
  • Pip Wallis

Writers 2012

  • Mila Faranov
  • Amita Kirpalani
  • Hannah Mathews
  • Rob McHaffie
  • Jonathan Nichols
  • Quentin Sprague
  • Eve Sullivan
  • Pip Wallis