Stamm

Stamm 2012

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Traumatic acts and therapeutic structures: A few ideas in, around and associated with Stamm

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by Jonathan Nichols & Amita Kirpalani I The idea of a ‘traumatic object’ is around and can be found lurking in conversations about dOCUMENTA (13). Between us this year, the language of trauma is closer to being caught up with what happens with art making and art writing. Which is slightly different. As I read […]

Eyes wide shut

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In building a figure from clay we might start from the inside—the kernel of vital organs perhaps—and work our way outwards. This process would mean that each substrate, each increasing layer, would be felt into being by the fingers. Classical sculpture (or drawing, or painting) insists that any figure is first and foremost a volume […]

Sadie Chandler: Café society

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Figures and faces have always been a feature of Sadie Chandler’s iconography. From her varnish-obscured portraits of an anonymous, genteel European ancestry to her pre-Mad men mad women strutting their stuff, and the latest forays into the group portrait as social document, art and life converge. Most recently, Chandler worked on the Moreland portraits, a […]

Eat, clay, love

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Yoko Ozawa rides her bike to Northcote Pottery, and rides home with a 5-kilogram bag of clay. Placing the clay on the table next to her throwing wheel, Yoko sketches small shapes in a notebook alongside recipes for glazes. Yoko prepares a ball of clay, kneading it to release pockets of air. This is the […]

Kate Smith’s empire

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Sutton is one of the few galleries in Melbourne still willing to underwhelm. The space was so sparse, I didn’t have a clue until I was up close to the six or seven works on canvas board propped vaguely around the walls. What were canvas boards ever supposed to be about: amateur utopia, the art […]

Mann in Japan

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I’m not sure where that itch of devotion comes from, the one that gets a person up early in the morning to fold their bed sheets carefully before having a cold shower in preparation for a job as personal as that of a singer-songwriter. Melbourne’s blessed, in a world where popular music has turned bland […]

Fine family living

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‘Australia’s is a special kind of philistinism, an immovable materialism which puts art and ideas of any kind deliberately and firmly to one side to let the serious business of living proceed without distraction.’ Robin Boyd Just to the side of the city Matlok Griffiths rides back and forth from Richmond to his studio at […]

d13

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I’ve been struggling to summarise my thoughts on dOCUMENTA (d13). In the weeks immediately following its vernissage, the general response seemed to be one of elation and excitement, with several claiming it was possibly The Best exhibition of the 21st century. It wasn’t to be missed. On arriving in Europe two months later, however, the […]

John Spiteri

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Social climbing The title of John Spiteri’s recent show at Neon Parc, Still life social climber, could be referring to himself, in a self-deprecating way, but I imagine there is a little salt meant for the audience too. I wonder what social climbers do, besides being a little blank? Watch being watched. Join in carefully. […]

How to be

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The point is, don’t become an asshole. As art-world participants we should be mindful of this, particularly at a moment when the current logics and cults of interaction, participation, production and performance feel especially social. Most of us are over-institutionalized and yet only partially professionalized. ‘Don’t become an asshole’, is demanded of Pecker, the emerging […]

Semi-urban tragedy: The sad caravans of Stefan Gevers

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Sometimes I feel like an emotional wreck. I don’t know how to express myself so, frustrated, I end up in a heap, dejected, rejected, bereft, if not by anyone else, at least by common reason, or rationality. Isolated, even abandoned, inarticulate and mute, feeling unloved and lonely. A self-indulgent deluge of descriptors plagues me. There […]

Yolngu art in the age of mechanical reproduction

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When Wandjuk Marika became the first Aboriginal artist to publicly raise the issue of copyright infringement, much more was at stake that one might have initially thought. In 1974, when travelling in his capacity as inaugural chairman of the Aboriginal Arts Board, Marika had been dismayed to discover his sacred clan designs adorning cheap cotton […]

Rob McHaffie going native

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I saw Rob McHaffie’s recent paintings at his studio preview in the Schoolhouse Studios, Abbotsford. Destined for his solo exhibition in September at Darren Knight Gallery in Sydney, this was a one-night only affair, like meeting up with an old friend, several of them in fact. Rob McHaffie’s inspiration, following his Asialink residency at Rimbun […]

Good behaviour

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In preparation for the 2008 Beijing Olympics, 4 million households in Beijing received etiquette guides which focused on things like how to queue correctly, that when standing in public one’s feet should be in the shape of a ‘V’ or ‘Y’ and, my favourite, that there should be more than three colours represented in any […]

Organic happenings

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Drawing has been a great friend of Rhys Lee’s for as long as I’ve known him. Rhys went through a graphics course in Brisbane with fellow artist Matt Hinkley, but Rhys was always keen to get a little looser and wilder than graphic design would allow. Spending time throwing lines around with spray cans as […]

Paradise

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In European vision and the South Pacific, published in 1960, Bernard Smith wrote that, ‘European observers sought to come to grips with the realities of the Pacific by interpreting them in familiar forms’. That is, European vision, brought to the Pacific as it ‘opened up’ to Cook’s 1768 voyage, carried with it a familiar frame […]

Peter Schjeldahl: The critic as squid

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At one point in the pleasantly orchestrated conversation that was ‘An evening with “The New Yorker”‘, for the Melbourne Writers Festival, the art critic Peter Schjeldahl was likened to a large smoking squid. This reference to an outdated bad habit, and the old-school independence that one associates with art criticism in this age of institutional […]

Some local birds

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Why not, I thought. Go local. Pat Brassington’s had enough press already! So has ACCA. It just so happens that my friend Ben Sheppard has a show on round the corner from my house at Counihan Gallery in Brunswick. Excellent! I can walk there! And it just so happens that my friend Amy Jo is […]

Mikala Dwyer—agent orange

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Last time we were here together we kissed inside the circular Olafur Eliasson installation on the second floor. Orange and you all around me. Tongues inside each other’s mouths, laughing out loud at our lust. Despite this version of elementalism requiring supplicant bodies to complete or form the work’s whole, we heckled these neat edges. […]

Love and the machine

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Last Sunday I attended a private function held in celebration of the showing of Russell Gray Goodman’s Daytona dreamer as part of the Gertrude Street Projection Festival. Russell Goodman was a Melbourne artist whose untimely death in 1988 cut his life and emerging artistic practice tragically short. Daytona dreamer, a kinetic sculpture of complex construction […]

Do ya thang Wang!

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I’m staying in Bang Pu Mai at the moment, just outside Bangkok, visiting a loved one. There’s not a lot of art out here as it’s a big industrial area. We drive along Sukhumvit Road each day and pass billboards with big photos of the King’s daughter taking photos of seagulls. We pass a few […]

Bradd Westmoreland—wet

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In January 2009 Bradd Westmoreland painted this crazy huge frieze titled War & peace around three walls of a small studio space I’m attached to in Fitzroy as part of a very local, very diverse, summer series of impromptu weekenders. The full catastrophe was equal part dance of life and cycle of destruction painted over a couple […]

(Mis)communication rules

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Wikipedia tells us that Creole is a language ‘developed from the mixing of parent languages’. Like Pidgin—a necessary precursor to Creole—it is brought about through the coming together of previously incomprehensible differences. Europe’s colonial expansion brought many creoles into being by way of trade routes, colonial domination and the traumatic displacements of the slave trade. […]

‘The ark of catastrophe’: Guido van der Werve and Lyndal Jones in the 18th Biennale of Sydney

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Two of the works that are most memorable for me in this year’s Biennale of Sydney are Guido van der Werve’s film work Nummer acht: everything is going to be alright, and Lyndal Jones’s performance and installation at Cockatoo Island, Rehearsing catastrophe: the ark in Sydney. In the spirit of the biennale’s linked-in themes of […]

New tricks

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Sometimes when you see a series of shows what strikes you is not so much the specific intent of each, but a more generally pervasive feeling. It can be hard to discern whether or not this speaks of your own existing preoccupations more or less than the external prompt offered by an exhibition. Often neither, […]

House and home

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‘This is a country of many colourful, patterned, plastic veneers, of brick-veneer villas, and the White Australia Policy.’ Robin Boyd, The Australian ugliness. The recent re-release by Text Publishing of The Australian ugliness by Robin Boyd, first published in 1960, provides an occasion to reflect on the prevailing views around cultural diversity. Written from the point […]

OMG

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Tony Schwensen’s exhibition at Kalimanrawlins is based on a YouTube meme: a chimp, in the Honolulu Zoo, fucking a live frog that had hopped into his enclosure. Over five million hits. The YouTube video is an unshockingly blurry depiction of its title: Video what the hell another freaky monkey rapes frog orally!. One of the works […]

Digesting Michael

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In 2010, I visited Fergus Binns quite regularly for lunch at Friends of the Earth. We’d nibble on our organic lunch plate and then head upstairs to his Smith Street studio to have a look at what he was up to. The painting taking shape for the bulk of that year was Toy painting (Alice […]

Like seeks like

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I enjoy the kinds of informal connections that you can make by simply looking at different artworks. Sometimes the brain has to catch up to the eye and try to explain away coincidences, or alternatively make a case for initial and perhaps superficial visual similarities to become more than that. It’s always positive to begin […]

Shades of grey (gray)

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Thanks to Narelle Jubelin’s reference to an obscure literary masterpiece, and those recent works of erotic fan-fiction by EL James currently topping the best-seller lists, this month’s posting continues on a theme. The occasion is Jubelin’s occupation of the stairwell of the former Caulfield Technical School E Block (now the Faculty of Art, Design and Architecture, Monash […]

‘I’m not even supposed to be here today’, Clerks (1994)

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When I was a pre-teen, it was the fully-fledged teenagers I knew who were able—as perhaps only teenagers are—to recount swathes of dialogue from the 1994 film Clerks, directed by Kevin Smith. I can’t help but quote critic Brad Laidman (surely not his real name?) at length, since Laidman’s review/lament encapsulates both the film’s plot […]

Atlas: Andrew Hurle

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Andrew Hurle’s work in Post-planning is about human imagination and its roots in pathology. There are six artworks: four small constructions (models), some more unfinished looking than others, and two prints about A3 size and pinned. The works are installed as a group on a stage or rostrum built of black stained timber sheets—a display […]

Photo finish, or harmony in grey

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Grey is the new blue, and Melbourne with its wintry aspect (for this last week at least) is my new Berlin, courtesy of John Nixon’s Black, white & grey. Photographic studies (photosheets), showing at the Centre for Contemporary Photography (CCP), and Corinna Belz’s Gerhard Richter—painting at the German film festival. While Richter ruminates on history […]

Touching the surface: Angelica Mesiti

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The vivid and the beautiful operate as an amnesty from the abundance of provisionality. But is it a satisfactory reprieve, say in relation to labour-intensive craftwork as another alternative? Specifically, I’m wondering how to find a space for ineffability in Mesiti’s work, beyond its surface—something problematic, a cleft where I can apply my own undirected […]

Extemporaneously

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I’m in the middle of developing a new project. The idea has been with me for years. Percolating away, sometimes urgent—spurred on by a new piece of writing, experience or thought, and sometimes hanging back—quiet. I’m now at the stage where I’m starting to implement its structure in order to move along its conceptual development […]

Alesh Macak: 2 screens, 1 sandpit, music and bench, plus audience

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The human remains presents as a type of epistemology. It provokes questions regarding our perception of self and with the super forces of existence and infinity. Caspar David Friedrich meets the New Age in Alesh Macak’s metaphysical meditation on the sublime and our relationship to it. With a sound-track evocative of those hippy–trippy binaural beats and […]

Coloured dirt

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Shane Cotton’s recent paintings are dark, almost Gothic arrangements of cultural iconography floating on moody and uncertain fields. They draw on the post-colonial histories of the artist’s native New Zealand, but still carry a familiar charge for Australian audiences. In these works history is an ominous and uncertain place; ever open to revision, it haunts […]

Background/middle-ground/foreground: Speaking about art

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by Jonathan Nichols & Hannah Mathews JN: I was a bit disappointed with the Ute Meta Bauer talk last week. It was interesting to hear about her choices and curatorial influences but not much of an insight into the ‘why’ behind her preferences and ideas. It would have been interesting to hear about her current […]

The terror of n: Belle Bassin

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In both style and content Belle Bassin’s recent solo exhibition, The terror of n, has a strong resonance with the work of 19th-century spiritualist artist Hilma af Klint. Both artists employ geometric abstraction, meticulous grid work and esoteric symbology that belie the formality, order and control implied by such approaches, instead quietly moving toward an […]

Small giants

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The earliest paintings of the Western Desert art movement sparked a shift that would become a game-changer for Aboriginal art in Australia. Their appearance in the early 1970s prompted a re-evaluation of existing art world discourse; the Papunya boards, as they became known, made a convincing case for their reception as contemporary art, rather than […]

A morning with Julian Martin

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I haven’t seen a solo show of Julian Martin’s work but at the many group shows of Arts Project artists, I find myself gravitating toward his drawings. They offer clarity among the talking and wine sipping. The thick pastel colour on paper creates a velvety surface that absorbs and softens my intense art gaze the […]