Remote Aboriginal communities are sites of polarity. Yirritja and Dhuwa, Garth Brooks and Azealia Banks, boundless flood-plains and land permits, transcendent beauty and Third World squalor. Were you a privileged white girl with an art-history degree you might find a two-year stint at one of the epicentres of this opposition—a community art centre—divergently exhausting and […]
Warwick Thornton
