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Stamm

April 2012

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Alesh Macak: 2 screens, 1 sandpit, music and bench, plus audience

April 2012 by Mila Faranov

The human remains presents as a type of epistemology. It provokes questions regarding our perception of self and with the super forces of existence and infinity. Caspar David Friedrich meets the New Age in Alesh Macak’s metaphysical meditation on the sublime and our relationship to it. With a sound-track evocative of those hippy–trippy binaural beats and […]

Categories: April 2012, Mila Faranov, Stamm 2012 Tags: Alesh Macak

Make vibes not things: Caroline Anderson A.K.A. Crystal Diamond

April 2012 by Rob McHaffie

Why are people making so much art? What’s on this month? The more I think about it, the more I think about it … Oh jeez, I’m a bit strung out, I couldn’t make it to the NEW13 opening at ACCA. Wanna come with me? Have you seen this? What did you think of that? I […]

Categories: April 2012, Rob McHaffie, Stamm 2012 Tags: Caroline Anderson

Elvis Richardson’s real estate

April 2012 by Eve Sullivan

‘All the world’s a stage, and all the people on it merely players …’ Elvis Richardson has, for some years now, built a body of work based on the found archives and stock images of a personal nature that people (apparently willingly, and sometimes for profit) present to the world. Whether it be the collections […]

Categories: April 2012, Eve Sullivan, Stamm 2012 Tags: Elvis Richardson

Coloured dirt

April 2012 by Quentin Sprague

Shane Cotton’s recent paintings are dark, almost Gothic arrangements of cultural iconography floating on moody and uncertain fields. They draw on the post-colonial histories of the artist’s native New Zealand, but still carry a familiar charge for Australian audiences. In these works history is an ominous and uncertain place; ever open to revision, it haunts […]

Categories: April 2012, Quentin Sprague, Stamm 2012 Tags: Shane Cotton

The clock and the rock: Aesthetic of the emblematic

April 2012 by Amita Kirpalani

4:17 pm. What happens to time if we fold it in half like a piece of paper, and then unfold it? Are the wrinkles at the end or the beginning? This is a poorly recalled line from one of the 6000 films sampled in Christian Marclay’s epic video work, The clock, currently on view at […]

Categories: Amita Kirpalani, April 2012, Stamm 2012 Tags: Nicholas Mangan

Background/middle-ground/foreground: Speaking about art

April 2012 by Jonathan Nichols

by Jonathan Nichols & Hannah Mathews JN: I was a bit disappointed with the Ute Meta Bauer talk last week. It was interesting to hear about her choices and curatorial influences but not much of an insight into the ‘why’ behind her preferences and ideas. It would have been interesting to hear about her current […]

Categories: April 2012, Hannah Mathews, Jonathan Nichols, Stamm 2012 Tags: Jan Verwoert, Olaf Nicolai, Paul O’Neill, Peter Friedl, Ute Meta Bauer

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About

This is the archive for Stamm, an online publishing project initiated by artist Jonathan Nichols in 2012.  [Read More] about About

Years

  • Stamm 2015
  • Stamm 2013
  • Stamm 2012

Writers 2015

  • Eliza Dyball
  • Amita Kirpalani
  • Michelle Mantsio
  • Kyla McFarlane
  • Anca Verona Mihulet
  • Jonathan Nichols
  • Tom Polo
  • Caterina Riva
  • Quentin Sprague
  • Sacha Waldron
  • Suzette Wearne

Writers 2013

  • Trevelyan Clay
  • Amita Kirpalani
  • Michelle Mantsio
  • Jonathan Nichols
  • Lisa Radford
  • Quentin Sprague
  • Pip Wallis

Writers 2012

  • Mila Faranov
  • Amita Kirpalani
  • Hannah Mathews
  • Rob McHaffie
  • Jonathan Nichols
  • Quentin Sprague
  • Eve Sullivan
  • Pip Wallis